Strepsata and I discuss the many issues with cultural appropriation. Is it ever okay to take from another culture that is not yours? We examine many examples like bellydancing, musician MIA, and movies such as The Party and Disco Dancer.
Mizna Arab Film Festival: Experimental Arab Film
January 6, 2018
This wintertime screening, curated by Andrea Shaker and Michelle Baroody and co-presented by Mizna and the Minnesota Museum of American Art, brings an exciting selection of experimental cinema by Arab American filmmakers to Cellular Cinema’s CAVE 2 (Cinematic Audio Visual Experimentation) Film Festival. The matinee features films from Usama Alshaibi, Basma Alsharif, Hisham Bizri, Ariana Hamidi, and Andrea Shaker
By Kyle Harris
Usama Alshaibi doesn’t think of himself as a model refugee-turned-citizen. He’s neither a poster-child immigrant that Democratic strategists could parade around as a shining example of what happens when the United States opens its arms to Arabs, nor the bomb-wielding anti-American terrorist that President Donald Trump would have us believe immigrants from Iraq must be.
He didn’t join the military or die fighting for the United States in its war that destroyed his home country of Iraq. He was an average student. He experimented with sex and LSD. He found himself in the punk-rock scene of the ’80s. He drew inspiration from the Beats. Kids teased him because of his name and ridiculed him as a foreigner; when he visited his family in Iraq, he was viewed as an outsider American — a misfit. Negotiating sexual liberation, drugs, punk and Islam hasn’t been exactly easy for him, or something he’s been inclined to talk about in the context of his Arab-American identity.
Author and journalist Porochista Khakpour supports Boy from War and you should too.
Gordon Quinn, founder of Kartemquin Films (Hoop Dreams), discusses Boy from War and the importance of this kind of work.